 
REVIEWS
Testspinz: Albums + Singles
Reviews from Alex Newman, Andrew Wright Trexler, Mike Cho and Wunjo
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Artist: Boy George
Title: Essential Mix
Label: Sire Records
Format: CD
Do You Really Want To Listen To Me?
Okay, first off yes, this is the same Boy George that sang "Karma Chameleon" and lived on MTV along with his band mates, Culture Club in the '80s. You might be thinking, what type of music does he play and is it any good? Well, he plays house, melodic poppy house. This mix he has assembled is catchy and brings in some funky elements with a majority of the songs containing diva-house vocals. The latter part of the mix CD is the best where he does change up styles. Overall, none of the tracks really grab you and although the actual mixing part works from track to track, the overall feel of the disc is inconsistent. Boy George has figured out that dance/electronic music is the future and that as a performer for Culture Club it was an easy transition, but this mix CD shows nothing that makes him stand out from the hoards of mega DJs spinning today. Mike Cho
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Artist: Eat Static
Title: Crash and Burn
Label: Cyber Octave
Format: CD
Take everything that you know about past releases from Eat Static and throw it out the window. Now, if you will, step inside a funhouse of sound. A bizarre mind trip into the fantastic realm of unconventional thinking. From the beginning as you "Crash & Burn" along the rock rhythms and electronic beats of a 1950's Street Rod Race, you begin to wonder what is in store for you. Just as you catch your groove, you're then pulled down south of the border for an electronic fiesta of sound as the "Love Truncheon" brings together the flavor of Spanish music and the warbling 303. Did I mention the deep, pounding bass and funky trip-hop elements of the "Dervish Funk"? Whatever you desire, from the organic, to the strange, to the downright thumping, Eat Static will keep you moving. Oh, and another thing, watch out for the "Curious Dr. Hump." He's a real trip and you just might fond yourself being pulled into a strange 1960s movie. Then again, that might just be your thing. Wunjo
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Artist: jega
Title: Geometry
Label: Matador Records
Format: CD
Imagine drum & bass and bits of techno from the mind of a mad, but brilliant scientist who understood about brain-wave telepathy. Sound structure that seemed to float by inharmoniously yet was compelling and lulled the listener to beckon, come closer. Drifting down the alleys of an old warehouse district in the fourth dimension or being pulled into a digital depravation tank, devoid of everything but sound. Odd, yet still intriguing. Continue to drift farther and the melody will still find you on another level, somewhere where you least expect it. The album seems almost recurrent, but somehow there are so many changes, again, you feel compelled to listen to the madness or genius of another. Brilliant just keeps coming through, but then, what's that make me? Wunjo
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Artist: Various Artists
Title: Inside Out
Label: Hard Leaders
Format: CD
The Hard Leaders return for a third helping of the dark technical and nasty sounds that have become a favorite amongst the tech-steppers. With internationally acclaimed names such as Decoder, Manifest, Regulate, Served Chilled, and Ice Minus the beats come to beat your ear drums in. Classic rolling Amen breaks over a bass lines that rip your lungs from your chest is the standard formula concocted from these talented producers. The disc takes a bit of a softer turn after the soft vocals of Anna Karin Karlsson's guest appearance on "Come to me Feat". However the majority of this is for the fan that enjoys the faster, harder, and darker side of the music. AWT
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Artist: Various Artists
Title: Infinessence: Travelogues from the Ambient Continuum
Label: Interchill
Format: CD
Toronto-based label Interchill's latest offering is a compilation of 12 tracks of electronic music from various artists, some of whom (such as Suns of Arqa and Sounds from the Ground) will be familiar. Whoever made the selection did their job well because the quality of music remains high while the sound takes a journey through various styles of chill-out music, taking in ambient dub, quirky downtempo jazz and futuroid electronica. If ambient compilations are not very good they tend to make me feel like an item of unspecified pond life, but there are enough moments of quality and beauty here to hold the attention and keep you well out of amoeba-territory. The vibe reminds me in places of the "Feed your Head" series but overall the key word is definitely "electronica." It's not in the super-league with, say, Shpongle or Future Sound of London, but it's still very good and will serve as perfect accompaniment o those mashed-up moments. Ambient music is definitely alive and well. Best tracks? Difficult--but I think the Floex's "Com" and the haunting Indian Flute and lazy dub of Suns of Arqa's "Raga Misra Bilawal" are the winners for me. 8 1/2 out of 10. Alex Newman
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Artist: Various Artists
Title: Plastic Mutations: The Electronic Tribute to Radiohead
Label: Vitamin Records
Format: CD
Fake Plastic Songs
If you haven't heard, Radiohead have released three of the most critically acclaimed albums of the past 10 years. For all of that acclaim by both fans and critics, a tribute CD was only a matter of time. Instead of a remix or reworking by someone of the stature of a Mad Professor (remember, his remix of "Protection" by Massive Attack was better than the original), we get a collection of songs that still sound better in their original form. Radiohead seem to be remixing their own albums anyway (wait to you check out Amnesiac). The point. Well, the point is to show the originality and the incredible life that these songs have in whatever form. And while the attempt is honorable, none of the songs truly work. We get a techno version of "Idioteque," a Kid A-like, vocoderized "Let Down," a loungey-downtempo version of "Fake Plastic Trees" and a very '80s "Paranoid Android." Check out Fila Brazilia's remix of "Climbing Up The Walls" for a great reworking of a Radiohead track or just listen to the original. Mike Cho
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